There's something magical about standing in front of a blank canvas, even better yet, creating that canvas from raw reclaimed materials. Transforming these materials into sculptural paintings that challenges the traditional boundaries between dimensions. As an interdisciplinary artist, I've always been drawn to the spaces in between – the lacunas, as I call them, where possibility lives.
My studio in Atlanta is a testament to this philosophy. Walking through it, you'll find heaps of reclaimed materials from local construction sites, each piece waiting to tell a new story. I've always believed that art should not only spark thoughts of memory but also to our responsibility toward the environment. That's why 90% of my materials are reclaimed, each piece carrying its own history before becoming part of something new.
Through my journey of sustainable creation, people often ask me about my process, and I love sharing how each piece comes to life. My Cuban heritage weaves itself into every artwork I create, bringing with it stories of family, resilience, and the beauty of cultural fusion. When I'm in my studio, usually for those precious 4-5 hours of deep creation time, I'm not just making art – I'm having a "conversation" with materials that might otherwise have been discarded. My sculptural paintings are more than just artwork; they're a statement about possibility. Each piece features intentional voids – spaces that invite viewers to look deeper, to question what's there and what isn't. These lacunas become windows into different perspectives, encouraging a dialogue between the piece and its observer.
For collectors and curators who've followed my journey, particularly through shows at Kai Lin Gallery or the Atlanta Art Fair, you've witnessed how these pieces evolve. My work ranges from intimate pieces that bring warmth to private collections to large-scale installations that transform public spaces. Each artwork is a careful balance of texture, dimension, and sustainability. What makes these pieces unique in today's art landscape is their dual nature – they're both paintings and sculptures, refusing to be confined to a single category. This approach has resonated particularly well with collectors who appreciate not just the aesthetic value of art, but its environmental consciousness too.
As we move through 2025, I'm excited to see how the art world continues to embrace sustainable practices. My recent Gallery Residential at Buckhead opened up new conversations about the role of eco-conscious art in contemporary spaces, and I'm constantly exploring new ways to push the boundaries of what's possible with reclaimed materials. For those interested in collecting or exhibiting sustainable art, I believe we're at an exciting crossroads. The art market is increasingly recognizing the value of work that speaks to both environmental and aesthetic sensibilities. My pieces, available through Memento Gallery ATL and NoName Gallery in Philadelphia, represent this intersection of sustainability and contemporary abstract expression.
Whether you're a collector, curator, or gallery owner, I invite you to experience these pieces in person. There's something special about standing before a work that challenges your perception of space while knowing it's created with environmental consciousness at its core. I'm always open to conversations about private viewings, exhibitions, or commissions. Each piece I create is a step toward a more sustainable art world, and I'm grateful to share this journey with those who see the beauty in both the material and the void.